雕塑是造型艺术中与材料最直接相关的一门艺术，虽然材料只是一种媒介，但在雕塑的审美中，材料占有重要的位置，没有它，美就没有形象性、具体性和直观性，就不能作用于人的感观而成为审美对象。由于雕塑形象的呈现是借助物质材料而呈现的，材料本身的表面肌理也构成了形象呈现的一个方面，使得与触觉相联系的质感具有了审美的意义。但另一方面，在传统雕塑中，材料本身质地与雕塑作品二者的审美结果不一定成正比的。一件大理石的作品或许是失败的，一件泥制的作品可能是杰出 的。综合材料 并不是很简单的一门课程，其实是有相当的学问在里面，看完这幅巨作后，我真的不得不感叹人的智慧与毅力，向我们这些微不足道的无名小卒更要时时刻刻的想时代的前沿看齐，更要学习毅力。

Sculpture is an art which is directly related to material in plastic art. Although material is only a medium, in the aesthetic of sculpture, material occupies an important position. Without it, beauty has no visuality, specificity and intuition, and it can not be used as an aesthetic object. As the appearance of the sculpture is presented by material and material, the surface texture of the material itself also forms an aspect of the image, making the texture associated with the touch aesthetic meaning. But on the other hand, in traditional sculpture, the texture of materials is not directly proportional to the aesthetic outcomes of the two sculptures. A marble work may be a failure. A mud work may be outstanding. Comprehensive materials are not a very simple course. In fact, there are quite a lot of knowledge in it. After seeing this great work, I really have to exclamatory the wisdom and perseverance of people. I want to look at the frontiers of the times and learn perseverance more often to these insignificant nobody.

罗丹曾说：‚对于我们来说，自然中不是缺少美，而是缺少发现美的眼睛。‛像是这个问题，在创作中可能会更有所领悟，不过在材料课题中也要有突破。例如，材料与材料颜色的搭配，承重性，还有社会效应等问题，都要考虑到当中去。我想我学习雕塑只是皮毛而已，还要更深一步的去研究，学习。（注：作品名称：找寻自我）举个详细的例子来说，毕加索在1909—1910年完成第一件立体派雕塑《女人头像》，但在随后两年间，立体派的‚纯形式‛理想渐渐被一大堆各种物体的‚掺杂‛

Luo Dan once said: "for us, nature is not the lack of beauty, but the lack of eyes to find beauty. "Like this, in the creation may be more understanding, but also in the material subject to have a breakthrough. For example, the collocation of materials and materials, load-bearing and social effects should be considered. I think sculpture is just skin and fur, and I want to further study and learn. In a detailed example, Picasso completed the first Cubist sculpture of "the portrait of a woman" from 1909 to 1910, but in the next two years, the stereoscopic ideal of pure form was gradually mixed with a pile of objects.

所代替——浆糊纸、油毡、木片和细绳，其中脱颖而出的第一件用集合手法做成的雕塑《苦艾酒杯》，是用蜡模翻制的青铜作品，上面放置一把真正的汤匙来平衡整个雕塑。  还有一种环境雕塑也是让人为之称叹的艺术。我个人认为，雕塑称为环境艺术只是一种说法，而其背后创作者的调动观赏者的创作能力是最重要的，你越有这种功底，你的雕塑越有现代性。

Instead of - paste paper, linoleum, wood and string, the first sculptural "absinthe Cup", made out of a collection technique, is a bronze work made with a wax pattern, and a real spoon is placed to balance the whole sculpture. There is a kind of environmental sculpture also let people praise the art. In my opinion, sculpture is called environmental art, and the creative ability of the viewer is the most important. The more you have this, the more modern your sculpture is.

我是个不折不扣的济南人，看到泉标就看到济南的标志了。它的意义我不想多说但它的实用性远比不上美观性，说到这又牵出一个问题，即雕塑的美观性。美观性的确很重要，但实用性也有其本质的有 点。这个问题在以前 的论文中，我曾多次提到过，主要看的是作品本身的价值，我们目前所学习的还是以美观性为主，实用性为辅。

I am a hundred-percent Jinan, see Stephen s saw the sign of Ji'nan. I don't want to say more about its meaning, but its practicability is far less than aesthetics. When it comes to it, it brings another problem, that is, the beauty of sculpture. Aesthetics is indeed important, but practicality is also a little essential. In the previous paper, I have mentioned many times, mainly to see the value of the work itself. What we are studying now is mainly aesthetic and practical.